This shit is fucked, it's dark and late here and I decided not to watch the whole thing.. I'll finish in the morning (I watched up to where he starts dancing)

...then its over. I was impressed till the fucktard started pop-lockin' and dancin...all that bitch nigga needed was a fucking glowstick.

I don't see the big deal.

But then again, my avatar doesn't bother me, either.

Oh you Silly People!!

Johnny is a hyperactive, shape-shifting mutant child, kept locked away in a basement. With only his feverish imagination and his terrified dog for company, he finds ways to amuse himself in the dark.
Rubber Johnny is the latest creation from the UK’s most imaginative filmmaker, Chris Cunningham. Featuring music by legendary electronic composer, Aphex Twin, this nightmarish and hallucinatory experimental short film is accompanied by 40 pages of drawings and photographs - Cunningham’s first published book of original artwork.

Biography
Chris Cunningham - one of the most influential filmmakers of the last decade - has been at the forefront of innovation and an inspiration for technological boundary-breaking world wide.
Cunningham first forged his relationship with Warp Records in 1995 with his debut promo “Second Bad Vibel” for Autechre, and since has directed a score of mind-bending videos for the likes of Squarepusher, Bjork, Madonna, Portishead and most memorably, Aphex Twin.
The creepily hilarious “Come to Daddy” (1997) and bootilicious “Windowlicker” (1999) Aphex videos have both been showered with accolades, but deemed too darkside for daytime MTV. However, his delicate hand on Bjork’s “All is Full of Love” (1999) sensual, milky robot promo won him the best breakthrough video MTV award and a Grammy nomination, as well as 4 silvers and the first ever Gold Award for a music video at the Design And Art Direction Awards.
Cunningham’s film making successes followed on from an accomplished career in feature films. He learnt his craft as an FX sculptor, designer and engineer on numerous feature films, which included working for David Fincher, Clive Barker and Stanley Kubrick.
In 2000, Cunningham created a video art installation “flex” for the Royal Academy of Art’s Apocalypse exhibition. His next two short films with Warp Films, “Rubber Johnny” and “Spectral Musicians” are scheduled for release on DVD in 2005.With much anticipation from his legion of fans, Cunningham is finally turning his attention to feature films and is currently developing a feature length script with Warp Films.

http://www.rubberjohnny.tv/
http://www.warprecords.com/

I don't know how or why, and you're welcome to try and explain it, but it works for me.
Much like how everything tastes like chicken, but I still crave the little white bird.
After watching it a few times, I began to delve deeper into my own soul. Dreams
had meaning once again.

The creepily hilarious “Come to Daddy” (1997) and bootilicious “Windowlicker” (1999) Aphex videos have both been showered with accolades, but deemed too darkside for daytime MTV.

I remember these both as dummylicious, and too dumb for my own TV.

g.d.r. is that what I think it is?

thanks arnario for your impressive use of google and your control and 'c' and 'v' keys. i would have never thought of it myself.

and stay in iceland.

Yeah it was fucked up until he did the robot and the line of coke. The wheelchair wheelies were pretty lame too.

DAMMIT. this is the vid I meant to say LOVED IT, not the hammer penis one.

The cross-sections of face were neat, but man am I tired of looking at the face of RICHARD D JAMES, MYSTERY DARLING OF INTERNET AND PRESS MEDIA.